This avoids doing the duplicate check (since both `setProcessing()` and
`setActive()` would be called), and this also gets rid of the assumption
added a couple commits ago that `setupProcessing()` is only ever called
once, which is not true.
This wasn't implemented yet because no plugin tried using the interface
in this way before this, but Surge XT incorporates the host's context
menu items into their own (much more elaborate) context menu. To
accommodate this, we now copy over all of the host's prepopulated
context menu items to the Wine plugin host, and calling the targets
associated with any of those items will cause the target on the
associated context menu item on the host to be called.
This is slightly more complicated than what would otherwise be necessary
because Bitwig does not assign tags to their context menu items and
instead always uses 0.
I'm not a fan of Hungarian notation, but C++ kind of needs it with its
implicit `this`. And of all the common options for this, I find
suffixing members with an underscore the least offensive one.
The difference in performance won't be noticable, but both lookups and
modifications in these things are much faster once you have more than
one or two elements.
In the same way as 50c25c1cf0 did it for
VST2 plugins. Input and output audio data is now stored in a shared
memory buffer instead of being sent over the sockets. This reduces the
bridging overhead to a minimum since copying data was the most expensive
operation we were doing and we now only need to copy the entire buffer
once per processing cycle.
This makes much more sense, since all plugin instances will be sharing a
single GUI thread. What would happen was that resize calls from one
instance and GUI thread function calls from another instance would
collide. Using a single shared mutual recursion mechanism (just like on
the Wine side) fixes this.
We do this by using this new `MessageReference<T>` type to avoid copying
our `YaAudioProcessor::Process` struct and the contained `YaProcessData`
object. This is only part of the work, but this redesign lets us keep
the these objects alive on both the plugin and the host side. On the
plugin side, we'll simply serialize the data from the referred to object
without copying it. On the Wine side, we'll write the data to a
persistent thread local object, and then reassign the
`MessageReference<T>` to point to that object. This lets us serialize
'references', thus avoiding potentially expensive allocations. With
these last few changes alone VST3 plugins are already at the same
performance level as our optimized VST2 plugin groups.
VST3 plugins could freeze in REAPER when the plugin sends
`IComponentHandler::performEdit()` followed by
`IPlugFrame::resizeView()` when REAPER simultaneously tries to call
`*::getState()`. Here `*::getState()` gets called from the GUI thread,
while `IPlugFrame::resizeView()` has to be handled on REAPER's GUI
thread, resulting in a deadlock unless we use the plugin-side mutual
recursion mechanism.
I've seen this cause issues with PSPaudioware InfiniStrip.
With this we should be able to handle `setState()`s that try to resize
the currently open editor. This could pop up when using the preset
browser in REAPER with plugins that recall their old size when loading a
preset.
This greatly improves compatibility with VST3 plugins in Ardour and
Mixbus. Most notably the FabFilter plugins would previously freeze when
having the GUI open while duplicating or inserting new instances.
Since the restart will always be called from another thread, and when a
plugin asks for a restart during initialization this can quickly lead to
issues.
This is in some cases needed to get decent performance in REAPER, as
REAPER seems to query this information (which cannot change without the
plugin requesting a restart) four times per second.
This works around an issue with REAPER. During every processing cycle
REAPER would query how many input and output busses we have, and it
would then enumerate over all of those busses. This meant that if a VST3
plugin has 32 output busses, then REAPER will do 34 extra function calls
before processing audio.
Robbert van der Helm